11.11

     I got my new minute already. I really liked the strategy of starting at a slower speed. I think what worked for me was telling myself I wasn't allowed to move on until I was "comfortable" writing it, as opposed to just shooting for 95% accuracy. The minute was also only at 220 wpm, which is the speed RTC claims the entire piece is, and the speed at which I actually want to practice.
     I decided to try getting a tripod for the LS, and today was the first time I used it. It was actually really nice not having to balance anything on my lap. It felt much more sturdy that way, and I think it's going to work out.
     I have another list of potential word-boundary conflicts: cast, going, grade, heart, ward, stream, wind, bridge, found, wax, bound, rail, nail, comb, fill, hole, room, pile, mill, fare, house, made, and bulb. And there were a few words that only presented problems in one instance: printwheel, standstill, and handshake. I can't believe anyone would have STAND\STIL defined as one word! There were a lot of instances for "-house" and "-room" especially. I also changed "board" to BAORD a while ago, but I never went back and put asterisks in for "-board" or even fixed all instances of BORD, apparently, so I took care of that.
     When I got to "-nk" in the Phoenix drills, I realized I never practiced doing FRNG instead of *NG. I started trying to think of the finger formation as "-nk" instead of thinking of words as, for example, DRAFRNG. That's what you're always supposed to do, but there are a lot of instances where I never quite got there. PB I think of as N, of course, and TK as D, etc., but for a lot of the other stuff, like IFM for "-ism," I'm still thinking "IFM." "-nk" words were dramatically easier to stroke once I started thinking of the position instead of the keys, so hopefully I can apply that to other aspects as well.

11.6

     I finally got the two minutes together that I was working on. It only took me 7 weeks. Way longer than it should have, but I just can't get the positioning right. It's like when you type on someone else's keyboard. On your keyboard, you can type 100 wpm. On an unfamiliar keyboard, suddenly you're knocked down to 60. I feel like I've been writing on someone else's steno machine for the past 8 months, and it hasn't gotten any more familiar than it was on the very first day.
     I decided to go back to my old teacher's strategy of speedbuilding: learn the minute at a slow speed, then bump it up a speed until you're comfortable with that, and then bump it up one last time to your goal speed. I don't know what kind of progress I'll make with that strategy, but for now I'm liking writing at 180 wpm.
     I'm down to 8,440 entries with "B" in them that might need inflected endings added. I figured out a lot of ways to weed out things that weren't verbs, like looking at words that end in "y" or "s" or whatnot. I've also continued finding word parts that need to be asterisked: bone, stroke, nose, son, late, lock, hand, time, foot, wear, print, note, step, land, head, walk, and hold.
     I ran into particularly tedious problems with "out-" and "sub-". The old StenEd "out-" is O*UT, which is my "-out," so I had to move the asterisks in those outlines from the first stroke to the second one. I don't like the idea of "sub" and "sub-" being the same outline, so I had to add an asterisk to all the strokes that come after "sub-" (or at least the ones that are words on their own), like "submarine" and whatnot.